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・ Robert DeBlieux
・ Robert Debré
・ Robert Decherd
・ Robert DeCourcy Ward
・ Robert de Boron
・ Robert de Bracquemont
・ Robert de Brantingham
・ Robert de Brus, 1st Lord of Annandale
・ Robert de Brus, 2nd Lord of Annandale
・ Robert de Brus, 4th Lord of Annandale
・ Robert de Brus, 5th Lord of Annandale
・ Robert de Brus, 6th Lord of Annandale
・ Robert de Bruyn
・ Robert de Burghersh, 1st Baron Burghersh
・ Robert de Cardeny
Robert de Castel
・ Robert de Castella
・ Robert de Chauncy
・ Robert de Chesney
・ Robert de Clari
・ Robert de Cliderhou
・ Robert de Clifford, 1st Baron de Clifford
・ Robert de Clifford, 3rd Baron de Clifford
・ Robert de Comines
・ Robert De Cormier
・ Robert de Cotret
・ Robert de Cotte
・ Robert De Coucy
・ Robert de Craon
・ Robert de Crull


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Robert de Castel : ウィキペディア英語版
Robert de Castel
Robert de Castel (d'Arras) (fl. 1272) was a trouvère active in and around Arras in the late thirteenth century. He is mentioned in the ''Congés'' of Baude Fastoul, written in 1272, which place him Arras at that date. He is the addressee of the poem ''Robert du Chastel, biaus sire'', a ''jeu parti'' by another trouvère of Arras, Jehan Bretel (died 1272), which was judged by another Artesian, Gaidifer d'Avion.
Robert wrote six songs that have been preserved; two of these achieved some popularity. ''En loial amour ai mis'' is designated ''coronée'' (crowned) in one source, indicating that it won a poetic contest, probably to be associated with the Puy d'Arras. More popular was ''Se j'ai chanté sans guerredon avoir'', which survives in eleven manuscripts: it is recorded in the Phrygian mode in the Chansonnier Cangé, is in the Dorian mode in the Chansonnier du Roi,〔Only two stanzas of the song's five were added, late, to the Chansonnier du Roi, see Judith A. Peraino (2001), "Re-Placing Medieval Music," ''Journal of the American Musicological Society'', 54(2), 251.〕 and is ''coronée'' in the Chansonnier des Memses.〔Hans Tischler (1974–6), "Rhythm, Meter, and Melodic Organization in Medieval Songs," ''Revue belge de Musicologie / Belgisch Tijdschrift voor Muziekwetenschap'', 28, 12.〕 The later anonymous religious piece ''La volontés dont mes cuers est ravis'' was a contrafactum of its melody. Besides these two songs Robert wrote ''Amours me mont me guerroie'', ''Bien ait l'amours qui m'a doné l'usage'', ''Nus fins amans ne se doit esmaier'', and ''Pour (çou) ce se j'ain et je ne sui amés''. This last was quoted—both lyrically and to a lesser degree musically—by Guillaume de Machaut in his four-part Middle French motet.〔Jacques Boogaart (2001), "Encompassing Past and Present: Quotations and Their Function in Machaut's Motets," ''Early Music History'', 20, pp. 57, 61, 65.〕
==References==

*Falck, Robert. ("Robert de Castel." ) ''Grove Music Online''. ''Oxford Music Online''. Accessed 20 September 2008.

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